This sequence explores the peripheral resonance of the circle. Here, geometry acts as a vessel for soft-spectrum light, where the boundaries between the line and the hue begin to dissolve. Each iteration is a study in how a centered form can radiate outward, creating a visual hum that occupies the space between the viewer and the image. These pieces prioritize the glow of the pastel palette, using symmetry to anchor the drifting nature of the colors.
In this series, the focus shifts to the silence within the structure. Geometry is often associated with rigidity, but here it is used to map the pauses and the breath. By utilizing high-value pastels and expansive white space, these mandalas function as visual snapshots of a moment of stasis. The mathematical precision serves only to highlight the fragility of the tones, inviting a slower, more rhythmic engagement with the circular form.