I believe that geometry is a universal language—one that speaks of order in a chaotic world. My work is an ongoing dialogue between mathematical laws and the soft, emotive quality of light. By focusing on the mandala, I explore the 'Infinite Center,' a point of absolute balance where every line is a calculated path and every color is a curated breath.
This 36-part sequence was born from a desire to see how much vibration could be found within a limited, pastel spectrum. My process is a slow-motion construction; I build from the origin point outward, layering thin-gauge geometry until the structure finds its own resonance. I don’t just create shapes—I map the quiet intervals between them.
Every piece begins with a single point. I utilize radial symmetry to ensure that each of the iterations maintains perfect geometric integrity.
My palette is strictly limited to high-value pastels. These hues are chosen to reduce visual fatigue and invite a state of "hushed" contemplation.
The goal is not just to be seen, but to be felt. These mandalas are designed to act as anchors for modern, mindful spaces.